Here’s a Saturday Morning of Zappadan piece:
1968
After the most expensive and longest and most frustrating presidential campaign in our history, we can now get back to0 the important stuff. To me, of course, that is the Arts, especially Visual Arts and Theatre. To kick off my searches and good feelings, here’s some verse by Kurt Vonnegut that my pal Joe Bratcher uploaded to Facebook:
I agree with you, Kurt. We have enough investment bankers, corporate execs and politicians already. Artists we need more of.
… and what I really am eager to do is a production of the 1953 musical “Kismet“, whose music was adapted from classical work of Borodin.
The wonderful Arabian Nights story of 16th Century Baghdad about a fortune teller, a Wazir, a young Caliph and two very lovely women is something I have loved most of my life.
Many of it’s musical numbers became song classics. “Baubles, Bangles and Beads“, “Stranger in Paradise” and this:
The show was a starring vehicle for Alfred Drake and the Broadway debut of Richard Kiley.
Unfortunately, my current physical condition makes it seem like I will never be able to direct again. If the tumor is removed it will probably endanger the part of my brain where cognitive creativity is connected. If we don’t solve the problem and I keep having seizures I will never be able to drive again and won’t be able to put in the solid effort that coordinating a musical production, especially a large and complex one as this, would be very difficult. It could certainly, however, make West Virginia community theatre history.
And then I have to find one of the local community playhouses who might let me do it… find 20 great performers … get a nice piano score for my dear collaborator Ruth Robertas to play from… and find a local choreographer who can bring the dancing girls to life.
If I get through this surgery and all that accompanies it, it will take at least a year before I can even get started (apart from notes I am doing now) putting it together. One can hope. It gives me something to focus on.
When the list of National Book Award nominees was revealed, I was pleased to see my old friend Cynthia Huntington nominated for her poetry book, Heavenly Bodies. Cynthia was a fellow at the Fine Arts Work Center in Provincetown for two years while I was Director there in the 70s. I have kept an eye on her work for some time.
Published by the Southern Illinois University Press, Heavenly Bodies has been described as a blistering collection of lyric poems, which give an intimate view of the sexual revolution and rebellion in a time before the rise of feminism. Heavenly Bodies is a testament to the duality of sex, the twin seductiveness and horror of drug addiction, and the social, political, and personal dramas of America in the 1960s.
Echoing throughout are some of the most famous—and infamous—voices of the times: Joan Baez and Charles Manson, Frank Zappa and Betty Friedan. Jinns and aliens beckon while cities burn and revolutionaries thunder for change.
Cynthia Huntington is the author of four books of poetry, including The Radiant (winner of the Levis Prize), The Fish-Wife, and We Have Gone to the Beach, as well as a prose memoir, The Salt House. A former New Hampshire State Poet Laureate, she is professor of English at Dartmouth College, where she serves as senior faculty in creative writing. She served as chair of the poetry jury for the Pulitzer Prizes for 2006.
I congratulate Cynthia sincerely for her current achievement and look forward to reading Heavenly Bodies (and perhaps pass it on to John Case for his Monday morning poetry program.)
I wonder how much Mitt Romney has effected the success of The Book Of Mormon? I don’t think his identity as a Mormon has anything to do with it.
For a little entertainment though, let me give you, my readers, the opening of The Book Of Mormon at the 2012 Tony Awards on Broadway – Hope you enjoy it:
If you’re a Les Mis fan like me, you’ll love this piece, “One Term More”, based on “One Day More.”
Here are the lyrics if you want to sing along:
One Term More!
A time to celebrate democracy,
Repeal Republican hypocrisy.
This man who would unseat Barack’s
A bleak choice at the ballot box.
One Term More!
A G.O.P. perdition-bound,
All sense of right & wrong eroded.
One Term More!
With laws that let ‘em stand their ground,
Republicans are locked & loaded.Contraception’s now a sin,
Screwing G.M. in the clutch.
Incivility’s a virtue,
Homophobic. Out of touch.
Filibusters. Budget scrums.
Ultrasounds & speculums.
To the Dark Side they’ve succumbed.Soon Election Day will dawn,
We were meant to hold this seat!
At the ballot box of freedom,
Unemployment’s in retreat!
Now the battle lines are drawn,
And Detroit’s back on its feet!
Will you take your place with me!The time is NOW the vote is NEAR!
One Term More!
One more day to re-election,
And until the music stops,
We will fight to save the jobs of
Teachers, firemen & cops!
One Term More!
One more day to resolution,
We’ll defeat those fetid nuts,
We are fed up with pernicious
Talk of prostitutes & sluts!Watch ‘em throwing up,
Minting malcontent,
Drinkin’ all that tea’s
Made them incontinent!Dissembling persists,
Divisiveness prevails,
Calling colleagues Communists
Is OFF the rails!Listen to them spew,
“Femi-Nazi” rage,
Misogynistic rants
From the Jurassic Age!To Obama’s second inning,
He’ll drive home another run!
Norma Rae let sisters sing,
Rosa Parks let freedom ring!
For Obama’s just beginning,
Yes! The West Wing WILL be won!AND we’ll get the Dream Act DONE!
My place is here, I vote with you!
One Term More!
Emboldened by Star-Spangled myth,
We want a JEDI…NOT a SITH!!!Petty partisan obstruction’s
Why we’ve gridlock on the Hill!
One Term More!
Healthcare is a right,
Medicare’s a must,
Don’t let rogue Republicans
Betray that trust!Speaking of betrayal,
Bullied by his peers,
Tackled to the ground,
Screams turned into tears.Hunting down the queer,
Cutting off his hair,
SPIKED the ball, yet… “Can’t
Recall” if he was there???It’s his character we question!
Mom, apple pie & Chevrolet,
Don’t let ‘em down Election Day!That’s when we will determine
What our God in Heaven has in store!ONE MORE TERM!
OTRA VEZ!
(One More Time!)ONE TERM MORE!!!
Take a look at Fluent Magazine, the on-line Arts, Culture and Events magazine for the Eastern Panhandle area.
Yours truly is one of the Associate Editors on it, having written reviews of the CATF season and an article on CATF Director Ed Herendeen.
What’s more there are articles on art, poetry, fiction and much more. And you can subscribe for free!
I hope you’ll take a look at it.
Trethewey, 46, is an English and creative writing professor at Emory University in Atlanta, named the 19th U.S. poet laureate Thursday by the Librarian of Congress.
The Pulitzer Prize winner is the nation’s first poet laureate to hail from the South since the initial one – Robert Penn Warren – in 1986. She is also Mississippi’s top poet and will be the first person to serve simultaneously as a state and U.S. laureate.
Winner of the 2007 Pulitzer Prize for her book of poems, “Native Guard,” Trethewey focused partly on history that was erased because it was never recorded. She wrote of the Louisiana Native Guard, a black Civil War regiment assigned to guard white Confederate soldiers held on Ship Island off Mississippi’s Gulf Coast.
The Confederate prisoners were later memorialized on the island, but not the black Union soldiers.
Here’s one of her poems: Providence.
Providence | ||
by Natasha Trethewey | ||
What's left is footage: the hours before Camille, 1969—hurricane parties, palm trees leaning in the wind, fronds blown back, a woman's hair. Then after: the vacant lots, boats washed ashore, a swamp where graves had been. I recall how we huddled all night in our small house, moving between rooms, emptying pots filled with rain. The next day, our house— on its cinderblocks—seemed to float in the flooded yard: no foundationbeneath us, nothing I could see tying us to the land. In the water, our reflection trembled, disappeared when I bent to touch it. |
It doesn’t matter if you are Republican or Democrat.
Breathing easier?
Sotheby’s is honoured to announce that Edvard Munch’s masterpiece The Scream will lead its Impressionist & Modern Art Evening Sale in New York on 2 May 2012. The iconic work is one of the most instantly recognizable images in both art history and popular culture, perhaps second only to the Mona Lisa.
The present version of The Scream dates from 1895, and is one of four versions of the composition, and the only version still in private hands. It will be on view in London for the first time ever, with the exhibition at Sotheby’s opening on 13 April. In New York, and also for the first time ever, it will be on exhibition at Sotheby’s in advance of the sale beginning 27 April. The work is owned by Norwegian businessman Petter Olsen, whose father Thomas was a friend, neighbour and patron of Munch.
The estimate of value is $80 Million bucks for this pastel version of Munch’s famous piece. The question is, will this remain in private hands or be purchased by a major museum, making it accessible to the public?
Of the four versions of the work, the present Scream is distinguished in several remarkable ways: it is the most colorful and vibrant of the four; the only version whose original frame was hand-painted by the artist to include his poem detailing the work’s inspiration; and the only version in which one of the two figures in the background turns to look outward onto the cityscape. This version has never before been on public view in either the UK or US, except briefly in the National Gallery in Washington D.C. decades ago.
I just checked my bank account and I can’t afford to bid on it. Can you?
Saturday night, Elly and I went down to DC to see Synetic Theater‘s “The Taming of the Shrew” with our friends Cecil and Linda (who had given Elly the tickets for her Birthday.)
“Shrew” is the latest in Synetic’s series of Shakespeare adaptations performed without words (which, to me, doesn’t make it truly Shakespeare… story line without the poetry, the words, eliminates the thing that makes Shakespeare Shakespeare.) It is performed with dance, music, incredible special effects, mime and sound effects and is incredible to watch. The best way to describe it is to shown their video promotion, which will give you an idea:
Irina Tsikurishvili plays Kate the shrew (if you’ve never seen Shakespeare’s play but have seen Kiss Me Kate, you know who the character is) under the direction of her adapter-director husband, the amazing Paata Tsikurishvili, who has created the “Silent Shakespeare Series, which has won tons of awards and never fails to sell out houses. The music, a mass of hip-hop rhythms, is by resident composer Konstantine Lortkipanidze and is stunning. It keeps the production moving for the full 90 minutes.
Tsikurishvili has set the show in “Paduawood” and made the characters members of the contemporary fashion and arts communities. The characters of Shakespeare, Kate, her sister Bianca, their father Baptista (a fashion designer played with great humor by Hector Reynoso) and Bianca’s suitors who, as you may remember, may not marry the younger sister until Kate has a husband…something that seems highly unlikely to happen.
Along comes Petruchio, a motorcycle riding painter, who accepts a large cash payment to take Kate away and make her his wife, which he does. Kate, of course, is tricked into this and her shrewishness makes her hell to be around. And that’s the point of the piece – how Petruchio tames her and makes her his true love.
The show is filled with fun, the audience laughs throughout, and Irina Tsikurishvili’s performance brings that audience to it’s feet at the end of the show.
It is brilliant.
Unfortunately, we saw the second to last performance and it is no longer open. We will, however, look forward to the next piece in the series, or to any other of the “speaking” plays that Synetic also does.
December is going to premiere the film musical Les Miserables whose score I have played over and over for years (but I can’t on WSHC because the Music Director has a ban on show music – a small minded person)… and I hear there is at least 1 new song for the film.
Hugh Jackman will be playing Jean Valjean, and, get this, Russell Crowe will be Inspector Javert. There’s a pair who can really go at each other.
John and I broadcast Winners and Losers from Shepherd University‘s Scarborougfh Library this morning, adding an extra hour to our regular show. Todd Cotsgreave, our Station Manager, spent close to two days setting up the equipment, testing it and getting rerady for the broadcast, for which we express great thanks.
I was really struck by the signs and posters they had outside of the Library building and all over the inside that showed John and me broadcasting (pictures swiped from this blog going back quite a ways).
We interviewed members of the Library staff, program directors, student volunteers and Lisa Welch from the Film Society (movie tonight, btw – George Clooney ‘s Good Night and Good Luck). It was all set up by the Library Dean and we even had a mini breakfast and coffee for all attendees.
It all worked out pretty well and we’ll probably do it again in 6 months or so.
I was the Director of the Fine Arts Work Center in Provincetown (MA) in the late 70s, and one of the great men and women I worked for there was Center co-founder Stanley Kunitz.
The Pulitzer Prize winning poet, who died in 2006 at age 101, kept working as he got older. His last published poem was called “Touch Me” and was written in 2005. As I was looking around the web, I found him doing a live reading at age 100 and felt so good hearing him again.
I used to visit with him as he worked on his beloved garden in P-Town. We’d talk about flowers and poets and just about anything. Stanley could always maintain a stimulating conversation.
Just imaging an artist of Kunitz’s stature maintaining his literary power right up to the end of his life gives me a great deal of optimism that we can all maintain our creativity in the face of an anti-creative world.
Here it is:
Thanks for the memory, Stanley.
I think we should be very thankful for the broad range of the TED Conferences, which include science and social engineering with poetry and the other arts.
Here’s former Poet Laureate of the US, Billy Collins, with poems and animations. Enjoy.
Time to get out there with your Sweetie and have a great day and a delightful evening. A great day to stop thinking about politics and corruption and such (although I’m sure I won’t) and just enjoy yourselves.
Today’s the day that Perry quit.
His backing goes to Newt, not Mitt.
And Newt’s ex-wife may crash his carriage…
She says he wanted Open Marriage.
Now Iowa has changed its score
and Rick leaves Mitt upon the floor.
Ron Paul takes all this at its face…
Ignoring his past views on Race.
So four are left in fume and smoke
And Saturday will be a joke.
Former Czech President Vaclav Havel died on Sunday in his country house in Bohemia… age 75. The artist/playwright who came into power on what was called the “Velvet Revolution” and created a democracy out of a Communist satellite was summed up by the NY Times:
A shy yet resilient, unfailingly polite but dogged man who articulated the power of the powerless, Mr. Havel spent five years in and out of Communist prisons, lived for two decades under close secret-police surveillance and endured the suppression of his plays and essays. He served 14 years as president, wrote 19 plays, inspired a film and a rap song and remained one of his generation’s most seductively nonconformist writers.
All the while, Mr. Havel came to personify the soul of the Czech nation.
Many people, however, are either unaware or forgetful of the brief relationship between Havel and Frank Zappa. This from the Wall Street Journal:
Mr. Havel was a life-long supporter of The Plastic People of the Universe, the Czech underground, nonconformist rock band that fought against the Czechoslovak totalitarian regime.
Under the communist regime, the vast majority of western music was banned, yet the country’s dissidents and its underground movement widely circulated prohibited music that focused on free expression and human rights, such as The Velvet Underground and The Mothers of Invention, led by Lou Reed and Frank Zappa, respectively.
These two bands achieved huge fame in erstwhile Czechoslovakia despite being forbidden by the authorities, and they were favorites of Mr. Havel. The former president said these musicians were among his dear, personal friends.
In January 1990, Mr. Havel appointed Mr. Zappa as Special Ambassador to the West on Trade, Culture and Tourism, and cited Mr. Zappa as one of his many sources of inspiration. The two men were close friends before Mr. Zappa’s death in 1993, and the American musician was active in Czechoslovakia’s transformation back to a free-market economy.
Here are 4 Videos of the Zappa’s visit to the Czech Republic in 1990:
…and for today, here’s our music break … Frank Zappa is our Papa, recorded by Michael Kocab and musicians in Prague.
(Michael Kocab, composer of rock and classical music, singer, politician responsible for the withdrawal of the Soviet Army from Czech Republic in 1991. Member of the Czech Parliament, adviser of President Vaclav Havel, Leader of group Prague Selection and Prague Selection II (Prazsky Vyber)was also a close friend of Frank Zappa.)
Here’s a Saturday Morning of Zappadan piece:
1968