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What a great Sunday Morning…

Our friend the blackbird

Talked to Elly on the phone this morning while I was walking the dogs (and having the fifth day of our friendly red-winged blackbird following us around and making tight circles in the air around us!)  and she’s coming back tonight (her plane leaves Minnesota at 4:30 and I think she has to change flights in Milwaukee…2 hour delay) and my boys will be thrilled. They have so missed their Mama.

G. Bradley Sanders

I didn’t have to water Elly’s gardens this morning since we had a night of rain and thunderstorms (where Byron, my dog who is afraid of thunder, crawled under the bed where he barely fits to sleep in safety) which more than took care of all the plants. So, I went over to Mellow Moods where I had coffee with G. Bradley Sanders, who owns the Timberframe Folly site out in the woods south of town. This was a guy I really wanted to meet for three reasons: his creative history is pretty exceptional, he is putting together a “Folly” at the Folly in August… a 22nd Century Carnival… that I want to be involved in, and I wanted to talk to him about producing Philip Glass‘s chamber opera, The Photographer, at the Folly in a year or so.

The Folly

It’s nice speaking with another 65-year-old who, incidentally, told me he listens to John and me on WSHC Friday mornings. Anyway, now I’m a volunteer for his Carnival Folly… if you’d like to find out more about it, go HERE. Bradley also is willing to let me do The Photographer at the Folly, now I can proceed to my next stage… finding someone to coordinate the music and finding out how much this is going to cost, royalties and such, so I and get into fundraising.

So now I’m going to do the Cartoon(s) of the Week and then get back and give the boys their lunch.

Project planning for, probably, a year from now…

I’ve started to work on a proposed theatre project which, if it comes to more than just planning and proposing, will be the first time I’ve done something like this in years.

As all of you know, given my series of animated backgrounds on this blog, I have been investigating the life and career of Eadweard Mubridge, his photo and animation experiments and his trial and acquittal on murder charges. While going into Muybridge-iana on the internet, I came across Philip Glass‘s “opera” of a couple of years ago, The Photographer, which is about Muybridge. Like most Glass pieces this is made up of highly repetitive musical signatures… this also includes some words by David Byrne. It’s three act (but short) structure includes signing, mime and orchestral variations… and I see it with projections of Muybridge animations as they would have been seen on a Zoopraxiscope.

I realized, however, three things:

1. No local community theater is likely to touch this idea… it is far too experimental and is not and audience draw. Therefore, finding a place to present it is a problem…

2. Since I want it presented at no charge, raising the money to pull this off is another thing to deal with…

3. Finding the musicians (a small ensemble, including a violinist and a keyboard artist), performers (2 sopranos and a mezzo), a conductor and a choreographer will probably require getting Shepherd University involved, and I’m not sure they will.

One thing at a time, however.

Elly and I went to look at Folly today… Folly is an outdoor performances space that was built some years ago by our friend Al Thomas, out in the woods outside of town. This would be a great place to do the project:

This is fascinating… what a spot.

I’ll comment on the project as I go along… at least as long as it might happen.